Armando

Long-form format where a monologist shares true personal stories, then performers build scenes inspired by the details, emotions, and themes β€” expanding rather than retelling.

Players

4–10

Duration

20-30 min

Difficulty

Intermediate

Full description

Setup and Launch

Choose your monologist β€” a guest or a team member. Agree on monologue length (typically 2–6 minutes) and editing signals. Get a single word or short phrase from the audience as your starting impulse.

Flow

1. Audience suggestion

The host asks for one word or short phrase. This gives a shared direction, not a rigid plot.

2. Monologue

The monologist tells a true story packed with specifics: real people, places, exact phrases, sensory details, emotions. Your job as a performer during the monologue is to listen and absorb β€” not to plan your first scene. Let the details land. Notice what sticks: a throwaway phrase, the way someone's voice changed, the color of a room.

3. First scene set

Performers launch 2–3 scenes inspired by the monologue. Work from the meaningful nodes β€” relationships, tensions, recurring motifs, emotional undertones β€” not from a plot summary. Some scenes may directly explore a story from the monologue, some go tangential, picking up a theme, a game (a repeating behavioral pattern in a scene), or a tiny detail.

4. New monologue

When the energy dips or a fresh angle is needed, the monologist returns. The new monologue can build on the original suggestion or respond to themes that emerged in the scenes β€” creating a feedback loop between real stories and improvised ones.

5. Continuing the cycle and the finale

The show alternates monologues and scenes. As it progresses, callbacks (returns to earlier details) and thematic intersections emerge naturally. Don't force a perfect close β€” end on a strong organic beat.

Key rules

  • Editing methods must be clear to all performers. Transition to a new monologue happens every 2–3 scenes or when the format's energy drops. Editing between scenes can use sweep edit, tag-out, transformation, and other techniques. A new monologue can be initiated by any performer who feels the need for fresh inspiration.

  • Deconstruction, not reconstruction β€” don't recreate events from the monologue literally; expand the smallest details into new stories, reach for tangential connections.

  • Listen on a deep level β€” focus on emotions, themes, characters, specific locations, and unique phrases, not on the plot of the monologue.

  • Don't plan scenes during the monologue β€” just listen and let the details settle naturally in memory; the first idea is often not the most interesting one.

  • The first 2–3 scenes can be more directly linked to the monologue β€” that's fine, but then grow more tangential, exploring themes and patterns rather than retelling.

  • Monologues must be real stories β€” authenticity and concrete details create better material for scenes than invented abstract stories.

  • Improv is 70% confidence (Del Close) β€” monologists should start speaking the moment they receive the word, trusting that the story will come.

  • Use the "Third Thought" technique β€” step away from the first obvious idea toward the third, more creative and unexpected one.

Format structure

Context

Resources