Backwards Interview
A short-form game where two performers play a TV interview in reverse: the scene starts at the final farewell and works step by step back to the opening greeting.
Players
2
Difficulty
Beginner
Full description
Setup and launch
Ask the audience for a topic, guest, or area of expertise for the interview. Assign a host and a guest. Explain the mechanic: the scene opens with the show's final farewell, then performers work their way backward through the interview, each exchange answering "what happened right before this?" Ask for short lines and concrete anchor facts β names, dates, places β so there's something solid to rewind from.
Establish the finish: once performers naturally land on the very beginning (greeting, guest introduction, walking into the studio), the coach calls blackout or rings a bell. With more than two players, run the game as a series of quick two-person passes.
Flow
1. Finale and frame
The host delivers the closing line β thanks the guest by name, states the episode topic, wraps the show. Something like: "Thanks for that enlightening explanation, Dr. Ruiz. Viewers at home, see you next week!" The coach makes sure this finale drops clear markers (names, show format, a definitive outcome) that the pair can rewind from.
2. Moving backward through causes
Each new exchange logically precedes the last one and explains how it came about. Performers plant specific details β facts, objects, agreements β and carry them faithfully. The coach watches for consistency; if the pair stalls, a gentle nudge: "one more step back."
A strong move here: pimp the other player through your reaction. "Thank you for that incredibly energetic demonstration!" β now your partner has to justify the energy in the step before. This creates natural surprises without breaking the reverse logic.
3. Ending at the beginning
When the scene reaches the natural start of the interview β greeting, connecting the guest, mic check β the coach gives a clear stop. If it doesn't feel complete, the coach allows one more short step back for a clean landing.
Key rules
Keep facts locked: repeat names, places, and agreements word-for-word β this prevents contradictions as you rewind.
Short beats over long monologues: 1β2 lines per step keeps the pace up and makes cause-and-effect links easier to track.
Every step must explain the previous one: if you've backed yourself into a corner, reframe as "almost happened" to restore the logic.
Lock the beginning: the moment a natural greeting or on-air intro lands, the coach cuts the scene β don't overshoot past the start.
Context
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